Resume

HIGHLIGHTED TECHNICAL PROFICIENCIES

• Modern digital camera systems including: Arri Alexa, Alexa Mini, RED EPIC-W, Canon C100, C200, C300, C500, C700, Blackmagic Ursa Mini, Blackmagic Pocket Cinema Camera 4k & 6k, Sony FS5, FS7, Venice

• Analog film cameras: Panavision G-II 35mm, Arri Arriflex III 35mm, Arri SR3 s16mm, Arri ST s16mm, Bolex h16 16mm

• Lighting design and operation

• Color Grading softwares: DaVinci Resolve

• Adobe Creative Suite: Premiere Pro, After Effects, Audition, Photoshop, Lightroom

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SET EXPERIENCE
Cinematographer

• Collaborate with the director, writer, and producer in order to craft the visual style of the film, including lighting design as well as shot listing before production.

• Coordinate the necessary gear requirements for executing the setups. Lead the grip, electric, and camera departments on set.

  • Projects:

    • Uncaged Ergonomics – Product Commercials, February 2021 – March 2021

    • Carnival – Music Video, January 2021

    • Café in the Void – Indie Feature, December 2020 – January 2021

    • Dirtbags – Indie Short, October 2020

    • Sanctum – Indie Short, September 2020

    • Fighting Olympus – Indie Feature, November 2019 – November 2020

    • Cats of the Bayou – Indie short, January 2020

    • Cold Pines Radio – Indie short, October 2019

    • A Piece of Steak – Indie short, September 2019

    • Nightmares – Indie short, June 2019

    • Blood for Blood – Indie short, March 2019

    • Castles in the Air – Miniseries Pilot, October 2018 – February 2019

    • Frank – Indie short, December 2018 – January 2019

    • Savior’s Debt – Indie short, December 2018

    • Dating Sucks – Miniseries, September 2017 – October 2018

    • Ghost Annoyers – Indie short, September 2018

    • Two Brothers – Indie short, September 2018

    • No Quarter – Indie short, September 2018

    • The Big Score – Indie short, June 2018

    • Clean – Indie short, November 2017

    • Chatter – Indie short, November 2017

    • Bad Tape – Indie short, October 2017

Camera Operator

• Work directly under the Director of Photography and the Director to set up compositions and camera moves and execute all shots.

  • Projects:

    • Teamwork – Short film, April 2021

    • Legacy – TV drama Pilot, December 2020

    • Living the Lyrics – Reality game show, November 2020

    • Way Too Crazy – Reality clip show, November 2020

    • Prop 21 Ad – Commercial, October 2020

    • Magical (pickups) – Music video (Steadicam operator/1st AC)

    • True to the Game Part 2/3 – Feature Film, April 2020 (2nd Unit)

    • 3 Strikes – Indie short, August 2019

    • The Filmmaker’s Spark – Indie short, April 2019

    • Rune Your Life – Miniseries pilot, March 2019

1st Assistant Camera

• Build and maintain the camera package on set

• Assist the operator with pulling focus and making any necessary changes to the camera system.

  • Projects:

    • Angel – TV Drama pilot, December 2020 – February 2021

    • Straight Up Steve Austin Season 2 – TV show, August 2020 – October 2020

    • Dutch – Feature Film, October 2020 (2nd Unit)

    • True to the Game Part 3 – Feature Film, August 2020 – September 2020

    • Zenworld – Zendure Commercial – June 2020

    • True to the Game Part 2 – March 2020

    • Skylark – Music Video, November 2019

    • 3 Strikes – Indie Short, August 2019

    • Carbon 38 – Moto Collection Commercial, September 2018

    • The System – Fashion promo, August 2018

Gaffer

• Collaborate with the Director of Photography to craft a lighting plan, and lead the electric department in the execution of that plan along with any necessary adjustments throughout the day.

• Carefully plot the distribution of power throughout the location so as to safely power all lights and equipment.

  • Projects:

    • Come Play – Indie short, February 2019

    • HTV Studio – Curacao Back to School Commercial, July 2018

    • Lost Love – Indie short, May 2018

    • Lights, Camera, Action! – Indie short, March 2018

Key Grip

• Work with the Director of Photography and Gaffer to determine the plan for controlling and coloring light in accordance with the DP’s lighting plan.

• Lead the grip department in the execution of the lighting plan along with any necessary adjustments throughout the day.

  • Projects:

    • Never Have I Ever – Indie short, November 2018

Grip & Electric Department

• Worked under the Gaffer to set lights, and worked under the key grip to shape and modify lights in accordance with the cinematographer’s lighting plots.

  • Projects:

    • Grace – AFI Thesis, October 2018

    • Second Acts – Indie short, June 2018

    • Neighbors – Indie short, May 2018

ADDITIONAL EXPERIENCE
New York Film Academy                                                       June 2019 – Present
Equipment Technical Assistant
Duties include: Overseeing classes and on-location shoots to assist with proper equipment usage and answer questions/provide advice, shooting student performances (scenes, monologues, dance performances, etc.), assisting equipment rooms with check-in/check-out of gear, and assisting with loading and unloading of gear on location.

Columbia College Hollywood                                          September 2016 – March 2019
Teacher’s Assistant
Classes include: Cinematography 1, Cinematography 2, Exterior Cinematography, Feature Film Cinematography, Introduction to Television Production, TV Directing and Producing 1

EDUCATION
Columbia College Hollywood, Los Angeles, CA
Bachelor of Fine Arts - Cinematography, March 2019 (Graduated Summa Cum Laude and class Valedictorian)